The Tainan Art Festival. After drinking and chatting with Wang after work, he unexpectedly learned that there was a "Speak Mandarin Movement" in Taiwan. It was a time when the speaking of Taiwanese was banned. The government took the lead phone database in requiring people to speak only "national language". Even speaking their mother tongue in school was punished. Taiwanese was also officially portrayed as a vulgar and local image. This ban on speaking Taiwanese has been so long that even seventh graders have a vague impression of this policy (the official end date is 1993).
In contrast to Hong Kong's increasingly stringent "general education" policy before 2018, schools no longer teach Cantonese, and even change the history of textbooks to play down the local color of Hong Kong. The two places seem to have the same fate at different times. Language is the root of a person's thoughts, and the lost language represents the inhibition of the local culture. How to talk about the "lost" language? In this way, the story of "Emperor's " sprang out of their minds. Interestingly, not only did the two places have the same predicament, for Wang and Yu the other's language was not completely unfamiliar. mentioned that he watched
Taiwanese movies when he was young, such as "The Dowry, A Bullock Cart" and "Love in the Wind and Dust". Wang also laughed and said that he knew one third of Cantonese, because like many Taiwanese, they watched it when they were young. Chow Yun-fat and Stephen Chow of Channel 4 grew up. Therefore, as soon as they discussed the co-system, they raised the standard to a high and challenging level: after deciding to focus on the film (the film is the most local), screenwriters Guo and Xu wrote the works of the Theater and the TV series respectively. Ji Guan,